Showing posts with label Tim Booth. Show all posts
Showing posts with label Tim Booth. Show all posts

Friday, July 22, 2011

Album Memories. Week #12. James - Laid

Welcome to Week #12 of my series entitled Album Memories. Normally I post these on the Life On This Planet Facebook Page, but realized that not everyone can participate if you aren't our friend on the FB. If not, head over there and click LIKE. Okay, let's move on.

Laid was the sixth studio album from Manchester's James. It is one of my absolute favorite albums of all time. I remember my brother buying this back when it came out, and I slowly fell in love with this record. Out To Get You, Sometimes, Say Something, Dream Thrum, One Of The Three, Skindiving, Lullaby, etc. - just amazing the whole way through. James has put out two albums since they reunited a few years ago - 2008's brilliant Hey Ma, and 2010's The Morning After The Night Before (check out my review).

Anyways, I would love to hear your memories and thoughts on Laid. If you aren't familiar with the album, or the band, click through the Amazon links above to purchase. Have a great weekend.





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Monday, October 18, 2010

James live at The House of Blues, Anaheim, CA - October 12, 2010

I've seen hundreds of bands perform live.  This was as good as it can possibly get.  Phoenix was absent on their tour itinerary, so there wasn't even a second thought to make the 6-hour drive to the Disneyland House Of Blues in Anaheim.  Two years ago, they toured for their last album, Hey Ma - a great album and a great tour.  This time around it was to promote their double-album, The Morning After The Night Before (see my review here).

They opened the show with a couple of delicate tracks from 1993's Laid album, 'PS' and 'Five-O', with guitarist Larry Gott on electric dobro.  The Morning After's 'Tell Her I Said So', dedicated to singer Tim Booth's mom, was just amazing.  There was a great feeling of spontaneity as the band seemed to mix their set list up and play some real rarities - 'What's The World', which was the first song they wrote and one of the few cover songs that The Smiths performed live, 'Jam J' from the experimental Wah Wah album and a track from 1982 called 'Stutter.'  Tim jumped down into the crowd during 'Come Home' and sang from atop the bar.  Several tracks from Laid were prominent, including the brilliant 'Out To Get You' and 'Sometimes', which always ends in an a capella sing-along, 'Sometimes when I look in your eyes I can see your soul.'  One of the best parts of a James show is trumpet player Andy Diagram.  When not playing trumpet, he is often hitting a tambourine and singing along without a microphone.  During 'Sound', he walked off the stage and the next minute was up in the VIP balcony with us playing his trumpet.

Definite highlights:  Tell Her I Said So, Come Home, Sound, Johnny Yen, Seven, Ring The Bells, Sometimes.... actually, the entire show.  :)

Jim Glennie of James and me

Set List:
PS
Five-O
Tell Her I Said So
Dust Motes
Got The Shakes
Seven
She's A Star
Come Home
What's The World
Stutter
Out To Get You
Johnny Yen
It's Hot
Sit Down
Laid
Sound

Encore 1:
Say Something
Ring The Bells
Sometimes

Encore 2:
Jam J
Lullaby




Sunday, October 3, 2010

James - The Morning After The Night Before: A Review

A few months back, I reviewed a new mini-album from James called The Night Before. The companion EP was just released in September called The Morning After. Conveniently, in the United States both EPs are packaged together as a 15 song, 2-disc set called The Morning After The Night Before for under $12. This review will focus on the 8 songs of The Morning After.

While not as immediately accessible as its companion disc, The Morning After is a much darker and subdued collection of songs.  After a couple listens, these 8 songs began revealing their inner beauty and I have not been able to get this thing out of my player.

James are masters at juxtaposing uplifting musical backgrounds and melodies while the lyrics focus on some pretty dark themes (spousal abuse, cancer, etc.)  The obvious example is 'Tell Her I Said So.'  Set to a bouncy beat, funky bassline and Gary Numan-like synth lines, singer Tim Booth tells the story of his mother dying in a nursing home.  "If I could leave I wouldn't stay / Never thought I'd end this way."  It is an amazing track and my favorite on the album.  'Lookaway' is another standout with its lush strings and singalong chorus. 

I cannot say enough about the quality of music that comes out of these guys from Manchester.  They're going on a 30 year career and their music just keeps getting better with age.

Seriously.  Buy this now on Amazon  CD, MP3

Release Date:  September 14, 2010 on Mercury Records

Wednesday, September 15, 2010

15 Albums That Changed My Life



Over the last two weeks I've been tagged by several friends on Facebook to participate in a list of the 15 Albums that have had a huge impact on my life and will always stick with me.  Here we go...

This album came out the month after my family moved to Arizona from Chicago.  The first 3 tracks were huge singles and are among the greatest songs ever written.  My personal favorite from this album is 'Red Hill Mining Town.'  I love this album so much.  I remember checking this out from the library here in town on vinyl and dubbing it onto cassette.  There wasn't enough room at the end of the tape, so the last track was cut off.  I never knew that 'Mothers of the Disappeared' existed until I got the official tape a year later.

Jane's Addiction were the soundtrack to my late teen years.  One of the greatest bands to have ever existed.  All three of the original albums are phenomenal.  But if I had to choose one, this would be it.  The second side has the epics 'Three Days' and 'Then She Did,' along with the bizarre 'Of Course' and the breathtaking 'Classic Girl.'  This album has some of the best bass lines ever written.  So incredible, so rad.

Every song on this album could have been a single, in fact I think 5 of them were.  Some of the saddest lyrics ever, put to beautifully constructed chord progressions and harmonies.  My brother and I were at the release party at Tower Records in Mesa, AZ, the day this came out.  The band played about 5 songs in front of about 50 people.  A few months later, they were on David Letterman and all over MTV and the radio.  So honored to have recorded the new Audra album at singer Robin Wilson's studio and to have him sing on a couple of our songs.  This album is the soundtrack to Tempe, Arizona.  

There is no doubt that Bowie's musical output in the 1970s was incredible.  In 1974, he released this collection of songs partly inspired by George Orwell's 1984.  Everyone knows the single from this album 'Rebel Rebel,' however, the essential part of this album is the mammoth 'Sweet Thing / Candidate' that takes up the majority of side one.  It's amazing.  This was the first Bowie album that I fell in love with.  From it's bizarre cover art to it's dark subject matter, it's one of my favorite albums of all time.  

I'm going to assume that you already own this one.  If not, get it now!  :)  Way ahead of it's time, the banana album is a classic.  'Heroin,' 'Waiting For The Man,' 'Venus In Furs,' 'I'll Be Your Mirror,' 'Sunday Morning,' 'Femme Fatale'... these songs are outstanding.  If you haven't heard 'Heroin' before....  wow.  The fabulous Nico sings lead vocals on three tracks before she departed for a solo career.

The very first time I hit play on side one of this cassette, I had never heard anything like it before.  The frantic drumbeat of 'Disorder' leads the listener through an icy and sometimes chaotic emotional rollercoaster.  From the stark artwork to the minimalist production, this is a uniquely great album.  Sometimes I wonder what Joy Division would sound like today, if Ian Curtis had lived.

Years and years ago, a friend of a friend let me borrow 2 tapes:  The Cramps - Bad Music For Bad People and Christian Death - Catastrophe Ballet.  The one thing that I remembered about the second tape was the eerie keyboards on the opening track and the intense female backing vocals.  I returned the tape to the friend and a couple of years later I ran across the same record at Stinkweeds for a couple quid.  I used to listen to this album over and over.  I just couldn't believe that these songs weren't well known.  Singer Rozz Williams died in 1998 and for me, this is his masterpiece.  Both rockin' and dreamy, this album came out way under the radar in the same year that brought us Van Halen's 1984.  :)

As you probably know, I am a huge Jane's Addiction fan.  In the pre-internet days, discovering cool bands was an art form in itself.  You either found out about good music from reading interviews in magazines (sometimes finding them in back issues at the local library), watching 120 Minutes on MTV, your friends or just plain coincidental.  Back in 1990, my brother and I met this kid named Robert (he's actually a year older than me), anyways, all three of us bonded with our mutual LOVE for Jane's Addiction.  These same 3 kids went on to form a cool band named Audra.  Okay, where was I?  Oh yeah, we collected live recordings, videos, interviews, whatever we could get our hands on.  But the holy grail of the Jane's Addiction world was Psi Com - Perry Farrell's first band.  It was rumored that the one 5-song record that Psi Com released in 1985 was limited to just 1500 copies and half of those were warped and discarded.  So, that left only 750 copies in existence on vinyl.  Sometime in 1992-1993, in our usual rounds to all of the Tempe / Mesa record stores, I asked the clerk at Rockaway Records if they happen to have any rare Jane's Addiction recordings.  He replies, 'Yeah, I think we have a copy of Psi Com in back.  Let me go grab it.'  WHAT!!!!  So this guy comes back to the counter and in his hand is a SEALED original copy with a price tag on it that reads $140.  Bart and I were starving students that were also teaching karate lessons for below minimum wage and barely had money to eat.  So we asked to use their phone and we immediately get Robert on the horn.  'Robert, bring $150 to Rockaway!!!!'  He shows up 30 minutes later and we all leave with that record in hand.  Now, the decision:  Do we open it?  Hell yeah!  With a couple bottles of Strawberry Hill Boone's Farm already downed, Robert opened up the original shrink wrap and we listened to it one time, at the same time dubbing it onto tape, so Bart and I could listen at home.  I will never forget this story.  It represents a time in my life where music was exciting and bands could be something sacred.  A few years after this, Triple X Records re-released Psi Com on CD and our secret discovery became available everywhere.  Psi Com combined the raw post punk sounds of early Siouxsie & The Banshees, Gene Loves Jezebel and some Joy Division with Perry Farrell's lower range, before the howling falsetto for which he became famous. 

One of the most overlooked bands from Manchester, James have been making great albums since the early/mid 80s.  The title track is perhaps their most recognized song in the States, yet it is just one of the many songs that make this album outstanding.  You need to buy this immediately.  The opening 2 tracks are just phenomenal.  I got to spend 3 hours in a car with singer Tim Booth on a road trip after their show in San Diego a couple of years ago.  Tim is one of the greatest singers ever.  

In the early 90s, three years between albums seemed like a long wait.  Back in April of 1995, my brother and I were at Tower Records in Phoenix and an unfamiliar track from a familiar voice came in on the store.  I went up to the clerk who was a huge Bauhaus / PM fan and he told me that there was a new album coming out the following week.  Although most people cite Deep as their favorite, and of course it has some amazing songs on it, I consider Cascade to be his strongest solo album.  Some of his earlier efforts suffered from what now seems to be dated production and instrumentation.  Cascade still remains fresh sounding 15 years later.  There is not a weak track on the album.  The accompanying tour was spectacular, focusing predominantly on the Cascade material.  A young, soon-to-be famous Jewel opened the show!  

Before the Chili Peppers became superstars with the success of 'Under The Bridge' and the other singles from Blood Sugar Sex Magik, in 1989 they were still pretty obscure.  A teenaged guitar prodigy named John Frusciante filled the void left by the death of guitarist Hillel Slovak.  Frusciante's first appearance with the band is Mother's Milk, mostly known for the cover of Stevie Wonder's 'Higher Ground' and the instrumental 'Pretty Little Ditty' that was desecrated by a one-hit wonder band who 'sampled' the main parts for a song called 'Butterfly.'  You know it, it's from that guy who continues to check in on Celebrity Rehab.  Anyways, I had this baby on cassette back when it came out.  In my mind, I can still smell the booklet in the little plastic case.   

Whenever anyone asks me which Smiths album to get, I always immediately point them to this one.  Released in 1986, The Queen Is Dead is THE best album by this Manchester quartet.  It is a perfect album from start to finish.  'I Know It's Over,' 'Bigmouth Strikes Again,' 'The Boy With The Thorn In His Side,' 'There Is A Light That Never Goes Out'... well, I might as well name every song because they are all superb.  I bought this on cassette back in high school after reading about them in a guitar magazine.  I have been a huge fan ever since and still continue to buy Morrissey's solo albums the day they are released.  :)

This was a difficult decision.  If I had to choose one Cure song, it would be Just Like Heaven.  I used to listen to that song over and over again when it came out.  I'd come home from school and pop in that song, which I recorded on tape off of the radio.  For most people, Disintegration is the obvious choice, but I'm going to go with 1992's Wish.  I remember driving around with my brother and we passed by one of those radio station vans that were parked on the corner of Alma School & Southern here in Mesa, Arizona.  We stopped and they gave us a promotional copy of Wish on cassette.  1993 was a relatively sad time in my life and songs like 'Apart,' 'To Wish Impossible Things,' 'A Letter To Elise' and 'Trust' were just the perfect soundtrack.  It also was the end of an era for The Cure.  While they've continued to make good records since, they have not equalled the brilliance and beauty of Wish.

I had heard of Gram Parsons for years, though I was never aware that I had HEARD his music.  One day my girlfriend and I were flipping through the records at Zia in Tempe and we pulled out an LP with a guy sitting in a chair in a brown room and the record was called GP.  I put it in the stack and took it home and instantly fell in love with it.  On the next visit, I grabbed this one, Grievous Angel, released shortly after GP's death in 1973, a week after I was born.  This is a great album and features Emmylou Harris on backing/duel lead vocals on most of the tracks.  So, you don't like country music?  I didn't really think I did until I heard this album.  Do it.

Since we are on the subject of albums that had an effect on my life, the list would not be complete without this one.  The making of Audra's third album is not only of the main highlights of my musical career, but also my life.  Since releasing our second album, Going To The Theatre, back in 2002, we went through a lot of trials and tribulations in our personal lives.  While always remaining active, doing shows and writing songs, we didn't make it back into the studio in the summer of 2008.  In less than 10 days, we put our hearts and soul into these 10 songs.  The record came together on its own, effortlessly.  I have a lot of great memories from these sessions, for which I will share in the future. 

Thanks for listening.
Bret.

Wednesday, June 23, 2010

James - The Night Before: A Review


"When you're gone, your songs outlive your story." - Tim Booth in "Shine"

It's rare when a band calls it quits and then later returns with an album that stands up with the best of their original work. That's exactly what James did when they disbanded in 2001 and reunited seven years later, releasing the fantastic Hey Ma album. The first half of 2010 brings part one of the mini-album series- The Night Before, with The Morning After (now out, check out my review here) coming later in the year.

James have never shied away from unique recording techniques - in the early 90s under the guidance of Brian Eno, the band simultaneously recorded two separate albums - on The Night Before, the band set up an online FTP site where the members downloaded/uploaded song parts, collectively contributing via their home studios. Hey Ma producer, Lee Muddy Baker, then assembled the parts into completed songs.

The Night Before adds 7 songs to the James canon, kicking off with the catchy "It's Hot."  The obvious single, "Crazy" follows with singer Tim Booth proclaiming "I'm not crazy I'm just laughing at myself / Even when I look so strong I feel so small."  James have always been successful in taking simple chord progressions and layering them with violins, trumpets, drum loops, slide guitar and brilliant vocal harmonies into grandoise arrangements.  This album is no exception.   Tim Booth seems to grab from an unlimited supply of memorable melodies and great one-liners: "I used to have feelings but all I feel is a hole" - from Ten Below; "I can put on quite a show but inside I'm broken" - from Porcupine.

The star of The Night Before is Mark Hunter, whose creative keyboard textures propel all of the tracks, most notably on the brilliant "Porcupine."  With Larry Gott's sparse slide and shimmering guitars, "Porcupine" would not be out of place on the classic Laid album from 1993.  It's a beautiful track and one of the album's many highlights.  "Hero" closes the album and features Tim's best vocal performance, reciting the mantra "You've got to love your brother like you don't love yourself / You've got to change" over Dave Baynton-Power's killer drumbeat.

28 years into their career, James are presently creating some of their best work. This will definitely be a Top Ten of 2010.  If you cannot find it in your local store, please be sure to order online.  The CD version comes with an online bonus track, accessible by inserting the CD into your computer.

Key Tracks:  Porcupine, Ten Below, Hero
Release Date:  April 19, 2010 on Mercury Records

Buy The Morning After The Night Before on Amazon:  CD, MP3